Misapinoa Black

Misapinoa Black (1826 - 1926) was a pure-blood witch and an early member of the House of Black.

Relatives

 * Licorus Black (father) †
 * Magenta Tripe (mother) †
 * Arcturus Black I (younger brother) †
 * Cygnus Black I (younger brother) †
 * Phoebe Black (paternal aunt) †
 * Alexia Walkin Black (paternal aunt) †
 * Hesper Black (paternal aunt) †
 * Eduardus Limette Black (paternal uncle) †
 * Jimbo Blishwick (husband) †
 * Ella Max (sister-in-law) †
 * Sirius Black I (nephew) †
 * Phineas Nigellus Black (nephew) †
 * Elladora Black (niece) †
 * Iola Black (niece) †
 * Sirius Black II (great-nephew) †
 * Phineas Black (great-nephew) †
 * Cygnus Black II (great-nephew) †
 * Belvina Black (great-niece) †
 * House of Black (distant relatives)

Powers
Witchcraft: Misapinoa was a highly gifted witch, so much so in fact that her reputation still stands as one of the most powerful witches of the House of Black to this day. She is known for having concocted several potions of her own creation and creating many spells, mostly for nefarious purposes supporting the Dark Arts. Misapinoa is also known for being highly capable in performing non-verbal magic.

Telekinesis: Like her father, Misapinoa possessed the ability to move things with the power of her mind. She was immensely powerful with this ability, being capable of manipulating massive amounts of matter simultaneously, as well as large objects such as cars. Misapinoa was also capable of performing delicate and fine movements, such as brewing a potion, all with her telekinetic ability.

Levitation: As an advanced telekinetic, Misapinoa learned how to use her ability on herself and enable herself to levitate and hover above the ground. Although not an often-used gift, Misapinoa occasionally used this ability while fighting others to avoid attacks or in her home to reach things on the top shelf.

Puppetry: Misapinoa is also able to use her telekinetic gift to manipulate the bodily movements of others. She often channeled this ability through intricate hand gestures that were symbolic of her manipulating the movements of her victims.